There are 57 works visible in these 3 slides; that leaves 23 undocumented. I missed an entire wall; maybe Emmet/the Visual Arts Program kept a record? Should I try to find out? If not, is recreating this even possible? I can assemble all of the remaining prints I made there and try to figure out those 23 by deduction, but there are also some that I cannot make out in the panoramas. Maybe if I re-scan the slides at a higher resolution I can make those out.

Below are some section details.

In looking at these it’s evident that my original color prints are objectively terrible—they’re not at all color balanced. Is it detrimental to present those now?

I was unable to find the record of which prints the Princeton Art Museum acquired. I’m pretty sure it’s in an Art Dept. Bulletin I saved so it’s here somewhere but I’ve only just been able to unpack my books this last month after moving last year. 

BA Show Images

These are the individual image files in the database. in a couple of instances the print in the database doesn’t match the exhibition print but I’m pretty sure I do have those original prints. I’ll have to verify that with Deirdre.

These are images I made when I was working on the sequencing; thank god, because when I looked at them I couldn’t recall these configurations in the final show and I was mortified that I’d have to recreate some of them. But they might help in figuring out the remaining 23 prints that I didn’t document.